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You can view the lyrics, alternate interprations and sheet music for Patti Smith Group's Dancing Barefoot at Lyrics.org.
Lyrics
She is benediction
She is addicted to thee
She is the root connection
She is connecting with he
Here I go and I don’t know why
I flow so ceaselessly
Could it be he’s taking over me
I’m dancing barefoot
Headin’ for a spin
Some strange music draws me in
It makes me come on like some heroine
She is sublimation
She is the essence of thee
She is concentrating on
He, the chosen of she
Here I go, and I don’t know why
I spin so ceaselessly
Could it be he’s taking over me
I’m dancing barefoot
Headin’ for a spin
Some strange music draws me in
Makes me come on like some heroine
She is recreation
She intoxicated by thee
She has the slow sensation that
He is levitating with she
Here I go, and I don’t know why
I spin so ceaselessly
‘Til I lose my sense of gravity
I’m dancing barefoot
In mid-air I spin
Some strange music draws me in
Makes me come on like some heroine
Oh, God, I fell for you
Oh, God, I fell for you
The plot of our life sweats in the dark like a face
Oh, God, I fell for you
The mystery of childbirth, of childhood itself
Grave visitations
Oh, God, I fell for you
What is it that calls to us?
Why must we pray screaming?
Why must not death be redefined?
Oh, God, I fell for you
We shut our eyes we stretch out our arms
Oh, God, I fell for you
And whirl on a pane of glass
Oh, God, I fell for you
An affixation, a fix on anything, the line of life, the limb of a tree
Oh, God, I fell for you
The hands of he and the promise
That she is blessed among women
Oh, God, I fell for you
Oh, God, I fell for you
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When the needle dropped on the Patti Smith Group’s ‘Dancing Barefoot,’ a ripple of raw energy surged through the airwaves, heralding an anthem that, decades later, continues to mystify and inspire. Smith’s remarkable fusion of rock, punk, and poetry collided to craft a narrative that’s as complex as it is cryptic, inviting listeners to peel back layers of lyrical prowess in search of unfathomable depths.
Considered one of Smith’s most accessible and widely appealing tracks, ‘Dancing Barefoot’ has nevertheless managed to preserve a shroud of enigmatic allure. How has this composition managed to captivate and confound in equal measure? It is time to dive into the heart of this spellbinding confession, navigating the soul-stirring poetry that Smith deftly weaves throughout the song’s stirring chords and passionate cries.
The Euphoria of Spiritual Infatuation
At first blush, ‘Dancing Barefoot’ resonates as a love song—a visceral portrayal of infatuation that transcends the physical realm. Phrases such as ‘she is addicted to thee’ and ‘she is connecting with he’ suggest a magnetic pull toward an entity beyond the corporeal. The image of dancing enchants, naturally conjuring scenes of blissful abandon and raw emotion.
However, Smith is not one to deliver a purely conventional narrative. This is no ordinary tale of love; it’s a spiritual awakening through the metaphor of romance. It’s about finding an entity—maybe a partner, perhaps a higher power—that enlivens the spirit to a point of feverish, uncontrolled delight. The barefoot dance symbolizes a connection so profound that it strips away all worldly concerns, leaving only pure, undiluted ecstasy.
Charting the Visceral Power of Strange Music
Music can invoke trance-like states, a fact that Smith captures with absolute precision in ‘Dancing Barefoot’. The ‘strange music’ draws the protagonist in, serving as the siren’s song that triggers an almost divine revelation. This music—whether literal or symbolic—acts as the catalyst for transcendental experiences that are typically out of reach.
Smith’s reference to ‘strange music’ isn’t a mere commentary on melodic oddity; it’s an acknowledgment of the inexplicable forces that compel us toward actions and feelings we don’t fully understand. As the subject of the song surrenders to the sound, we’re reminded of music’s capacity to channel the inexpressible, to bring the unconscious to the surface, and to offer a taste of the otherworldly.
Unveiling the Layers: The Song’s Hidden Meaning
Scratching beneath the surface of the mystic and the mundane, one starts to see ‘Dancing Barefoot’ as a parable for the artist’s journey. Smith, known for her avant-garde approach and devotion to craft, is possibly painting herself in the lyrics. The ‘heroine’ who comes upon the rapture of creation might indeed be a stand-in for Smith and, by extension, for any artist consumed by their passion.
The insinuation of drug use, implied by the word ‘heroine’ sounding like ‘heroin’, could also be an allegory—Smith, after all, is notorious for her wordplay. Far from glorifying substance abuse, it could symbolize how engulfed one becomes in the throes of artistic inspiration, much like the ‘intoxication’ that both love and the pursuit of a creative high can induce.
The Gravity of Levitation: Contrasts and Paradoxes
Patti Smith’s lyrical journey in ‘Dancing Barefoot’ isn’t merely upward; it is rife with plummeting descents. The lines ‘Til I lose my sense of gravity’ underscore a sensation of being unmoored—a falling or floating that accompanies the dizzying heights of spiritual levitation.
There’s something undeniably haunting about this imagery, a suggestion that ultimate freedom and euphoria can come with disorientation and the potential for loss. The paradox of such ecstasy—levitating yet untethered—embodies the volatile nature of the human condition, where passion and enlightenment walk a tightrope above an abyss of confusion and yearning.
Memorable Lines That Echo Across Time
The repeated invocation ‘Oh God I fell for you’ that crescendos toward the song’s end serves as both an apostrophe and an epitaph. It’s a declaration of surrender, of falling into the arms of an unknown force that transcends human understanding—a lyrical motif that has indelibly marked the consciousness of listeners.
These lines are a testament to the song’s enduring impact, dangling between spiritual fervor and heartbreaking vulnerability. They offer a universal connection that listeners can apply to their own lives and loves. Smith’s words echo not just the inevitability of falling, but the beauty of the fall—the sublime rapture of succumbing to forces greater than ourselves.
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